We struggled to sit without toppling over, helpless to rise. They then positioned us on a plaster plinth, showcasing us,” Alison recalls with a smile. Since she was three months old, attempts have been made to implant artificial arms and legs without waiting for extensions. However, she affirms that the experience was burdensome and far from comfortable.
With those devices, I felt even clumsier. Since I knew how to speak, I asked that they be removed from me. People abuse her power over children. In fact, these extensions were not put on me so much for my good as for theirs. When she turned 12, she really understood that she was disabled. Until then, I was too busy being a child.
But at this time, she left childhood for puberty and began to understand the difference in her. She was violently thrown out of childhood to become a woman; the lines of her body were beginning to be designed, and she wanted to be beautiful and seductive. However, she knew how to get ahead. She wanted to be a painter.
Refusing to surrender, at 19, she embarked on a solo journey to London, graduating in Fine Arts and evolving into a celebrated painter. Her artistic journey commenced at age three. “I paint with my mouth, mimicking the dogs on car dashboards,” she describes. Her art has earned acclaim, honored with England’s highest accolade, the Member of the British Empire (MBE), for contributions to art, personally bestowed by the queen.
Regarding the nature of these contributions, she remains uncertain. The nomination, shrouded in anonymity, leaves her pondering. “I wish to believe that only my artistic endeavors have been evaluated, not my deformity.” Despite enduring a life marked by exclusion and disdain for her uniqueness, she resiliently focuses on the positive. Despite facing pregnancy and abandonment by her partner, her determination propels her forward.
At 33, Alison became pregnant, facing abandonment by her boyfriend, echoing her parents’ history. Despite doubts and fears that her child might inherit her defect, she chose to move forward. Determined, she gave birth to a beautiful boy, handling everything from birth to child care with her single hand. As her son grew up and became capable of assisting his mother in various tasks, he held her as a superhero in his heart.
English artist Marc Quinn created a sculpture in her honor titled “Pregnant Alison Lapper.” The statue, ready for presentation in 2005, competed for placement on the “Fourth Plinth” in historic Trafalgar Square. The white marble statue, measuring 3.6 meters in height and weighing 11.5 tons, stood there from September 2005 until 2007 when it was replaced through another contest.